································································································1一、“摩苏昆”的采录與整理 ······························································1二、“摩苏昆”的研究现状 ·································································4 第一章 “摩苏昆”概说 ·········································································7 第一节 “摩苏昆”的涵义 ·································································7 第二节 “摩苏昆”的历史文化背景·····················································9 第三节 “摩苏昆”的传承 ······························································· 12 第二章 《英雄格帕欠》情节分析 ··························································· 15 第一节英雄奇生 ········································································· 15 第二节英雄出征 ········································································· 16 第三节英雄交战 ········································································· 18 第四节英雄婚姻 ········································································· 21 第三章 《英雄格帕欠》形象分析 ··························································· 24 第一节男性形象 ········································································· 24 第二节女性形象 ········································································· 26 第三节宝马形象 ········································································· 29 第四节犸猊形象 ········································································· 32 第四章 《英雄格帕欠》母题分析 ·········································